Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$2USD or more
about
VIEWING ROOMS projects three gay voices within dissimilar chambers, each momentarily frozen in his tracks: C.P. Cavafy, at the turn of the 20th Century, chafes in his sealed room which is safer than the exterior world. Tennessee Williams toys with his desire in a 1950s bedroom, holding the tension between himself and another. And Garth Greenwell, observing a huge French nightclub in 2012, slams into the limitless possibilities of the new century. Instead of a narrative of sexual repression and liberation, I'm interested in the atmospheric pressure around these texts, in conjuring the conditions of these charged, fragile spaces.
The work was developed with Chimera, a vocal collaborative hub co-founded by bass Andrew Munn and pianist Rami Sarieddine, through performances in Berlin and Paris.
lyrics
I. THE WINDOWS (1903)
by C.P. Cavafy, trans. by Edmund Keeley, Philip Sherrard, and John Cavafy
In these dark rooms where I live out vacant days,
I wander round and round
seeking the windows.
It will be a great relief when a window opens.
But the windows aren’t there to be found –
or at least I cannot find them.
And perhaps
it is better that I don’t find them.
Perhaps the light will prove another tyranny.
Who knows what new things it will expose?
Original text:
Τα παράθυρα
Σ' αυτές τις σκοτεινές κάμαρες, που περνώ
μέρες βαρυές, επάνω κάτω τριγυρνώ
για νάβρω τα παράθυρα. -- Οταν ανοίξει
ένα παράθυρο θάναι παρηγοριά. --
Μα τα παράθυρα δεν βρίσκονται, ή δεν μπορώ
να τάβρω. Και καλλίτερα ίσως να μην τα βρώ.
Ισως το φως θάναι μια νέα τυραννία.
Ποιός ξέρει τι καινούρια πράγματα θα δείξει.
II. ACROSS THE SPACE (1952)
from "In The Winter of Cities"
by Tennessee Williams
Across the space between
a bed and chair
I watch you fade into
the fading air.
Intimate these moments,
dim and warm.
My finger tips could touch
your unsleeved arm
and so release the fire
and brutal shock
suspended in quiet air
and tender watch.
I say I could, and it
may be I will,
but have forborne and am
forbearing still,
for there is something delicate
and rare
drawn tight across the space
from bed to chair.
III. CLUB L’ESCLAVE (2012)
by Garth Greenwell
... two men are ...
like a bird before a snake. Now the first,
closer, lifts one leg ...
All of us watch it, feeling
almost together the same longing to be bound
hunted as that boy was bound. Above us,
in the dark room at the top of the stairs,
unclaimed bodies circle namelessly
a man on his knees. Why did I think
I could come here and be
changed? ...
—
The English translation of “The Windows” uses translations by Edmund Keeley, Philip Sherrard, and John Cavafy.
The debut album from Irish composer Anselm McDonnell examines faith, folklore, and environment through contemporary music. Bandcamp New & Notable Oct 12, 2021
On "The Source," composer Ted Hearne uses bureaucratic language and poetic chat transcripts to create an electronic opera that honors its subject matter. Bandcamp Album of the Day Dec 13, 2016